On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square
On the Southern Plains Pocket Square

On the Southern Plains Pocket Square

£155.00
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From The Archive. Available to members for one week only.

Part of The Archive: a print retired from our core collections, brought back for members once a season. Available to order for seven days, made to order and printed in England, in your hands by early January 2027.

Frederic Remington 1861–1909, On the Southern Plains, c.1907.

  • 100% Silk
  • Hand Rolled
  • Designed and Printed in Britain
  • 42cm x 42cm

Remington made a number of trips to the American Southwest, with one of his favourite themes being the American soldier in the West. In this painting, soldiers led by a scout in buckskin charge an unseen enemy. The artist was willing to depart from reality in his works, this piece was intended to represent the 1860's, yet the uniforms and weapons date from the Civil War through to the 1870's. In addition, the usual attack formation was a direct horizontal line rather than a dynamic mass as shown in the painting.

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