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£80.00
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Gustaf Cederström 1845-1933, Bringing Home the Body of King Karl XII of Sweden, c.1877-78. © Nationalmuseum, Stockholm
This lifelike painting from Gustaf Cederström portrays the royal hero's return to Sweden following a fatal shot at the Siege of Fredriksten in Norway in 1718. Cederström was so intent on capturing the image as realistically as possible that he enlisted professional models, colleagues, friends and relatives to pose for him to ensure each soldier had a definitive individual look. For the King himself, he even erected a stretcher, getting a professional model to lie on it to create the scene as accurately as possible.
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Gustaf Cederström, 1845-1933, was a Swedish painter who specialised in historical scenes and portraits. Initially, he was intending to pursue a military career, but when he was able he also took art classes at the Royal Swedish Academy of Fine Arts. Eventually, he resigned from the military and eventually settled in Paris in 1873.
His first work to be recognised, was the piece featured on this pocket square, Bringing Home the Body of King Karl XII of Sweden, at the Exposition Universelle in 1878 for which he won a medal. Later that year he was elected a member of the Royal Academy and then went on to become its director from 1899 to 1911.
Cederström went on to create a number of historical scenes along with also becoming an author, with his best-known work being his autobiography - An Old Artist's Memories in 1926.
We were very pleased to create this series of four pocket squares in collaboration with Götrich 1730. Located in Stockholm, Götrich is Sweden's oldest bespoke tailors spanning six generations. Throughout the years, Götrich has developed its reputation around guaranteed quality and craftsmanship of the highest grade.
This collection of pocket squares features four works from the Nationalmuseum in Stockholm, featuring renowned artists, Gustaf Cederström, Johan Georg Arsenius, Anders Zorn, and Hans Makart.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
"I was eyeing the Rampley pocket squares for quite a while and was thinking that the idea of turning classic art into pocket squares was quite brilliant and interesting.
When I finally had the chance to see the products in person I was blown away by the rich details in the prints. What you don't realise from the pictures is that the print is actually incredibly detailed even on the back of the square. This results in making it much easier to…" click to read full review.
"My line of work gives me a pretty unique chance of studying finely crafted clothing and accessories and if pressed I can roll a decent hand rolled edge myself. Rampley & Co’s products are as good as it gets where handwork is considered. The pocket squares I own so far are on the same level, or better than, pocket squares that usually retail for several times the price that Rampley & Co charge. The silk is finely woven and neither too thick to become bulky in ones pocket, nor is it..." click to read full review.
"I was elated when I received the most elegant and exquisite pocket square I had ordered from Rampley & Co! It is absolutely gorgeous. The color and clarity of the scene depicted, and the quality of this accessory are truly exceptional." Read more reviews...
"Very impressed by both the quality of the product and the customer service. The team fulfilled a last-minute request and got a beautiful pocket square to me via international shipping nearly instantaneously." Read more reviews...
"I'm a new customer but am extraordinarily impressed with the quality of Rampley's products (so far, two pocket squares) and their customer service. I had a question about ordering ties and they've been incredibly responsive and helpful." Read more reviews...
"I recently purchased a scarf for my wife´s Birthday and a pocket square for myself. We could not be more pleased. The items arrived promptly, beautifully presented and I received a surprise with my pocket square. I will certainly purchase more from Rampley & Co in the future." Read more reviews...
£80.00
Thomas Cole, 1801–1848, The Consummation of Empire, about 1833–1836 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The Course of Empire is a series of paintings...
£80.00
Herbert James Draper, 1863 - 1920, The Lament for Icarus, 1898 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This classic work is from British painter...
£80.00
Ludwig Deutsch, 1855-1935, The Palace Guard, 1892. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The guard in the present painting stands magisterially at the entrance...
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Design for a printed shawl, Garratt Print Works, Wandsworth, about 1850, (c) Victoria and Albert Museum, London 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This...