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Peter Paul Rubens 1577 – 1640, The Medici Cycle: The Triumph of Juliers, 1st September 1610, 1622 – 1625
The Marie de' Medici Cycle is a beautiful series of twenty-four paintings by Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Twenty-one of these paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris.
The Victory at Jülich shows the only military event that the Queen participated in: the return of Jülich (or Juliers in French) to the Protestant princes. Being a crossing of Ruhr, Juliers was of great strategic importance for France and thus the French victory was chosen to be the glorious subject of Rubens' painting. The colours of this pocket square are striking and make a beautiful addition to any outfit, especially when worn as a puff fold.
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Peter Paul Rubens (1577 - 1640) was a remarkable character, not only being a successful painter of European renown but he also played an important diplomatic role in 17th century European politics. In his painting he was a proponent of an extravagant Baroque style that emphasised movement, colour and sensuality and is well known for his Counter-Reformation altarpieces, portraits, landscapes and paintings of mythological subjects.
As a famous painter he was often commissioned by European royalty and when a 12 year truce between the Dutch and the Spanish broke down in 1621 Rubens was called to the courts of England and France as they decided who to ally themselves with. As painters had reason to travel to foreign courts, he was well placed to carry out secret negotiations without his presence arising suspicion. For his efforts the Archduchess Isabella made him ‘gentleman of the household’ in 1627. He then returned to being a prolific painter, producing over 80 paintings in the 1630's for King Phillip of Spain alone. See more information about the artist on his Wikipedia page Peter Paul Rubens.
The scene is rich with symbolism highlighting Marie's heroism and victory. In the upper part of the image Victoria appears crowning her with laurel leaves which is a symbol of victory. Also symbolizing victory is the imperial eagle which can be seen in the distance and the eagle in the sky compels the weaker birds to flee. Accompanying the Queen is a womanly embodiment of what was once thought to be Fortitude because of the lion beside her. However, the figure is Magnanimity, also referred to as Generosity, because of the riches held in her palm.
One of the pieces in her hand is the Queen's treasured strand of pearls. Other figures include Fame and the personification of Austria with her lion. Fame in the right side of the painting pushes air through the trumpet so powerfully that a burst of smoke comes out. In the painting Marie de’ Medici is highly decorated and triumphant after the collapse of a city. She is depicted across a white stallion to demonstrate that, like the departed King Henry IV, she could triumph over rivals in warfare.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
"I was eyeing the Rampley pocket squares for quite a while and was thinking that the idea of turning classic art into pocket squares was quite brilliant and interesting.
When I finally had the chance to see the products in person I was blown away by the rich details in the prints. What you don't realise from the pictures is that the print is actually incredibly detailed even on the back of the square. This results in making it much easier to…" click to read full review.
"My line of work gives me a pretty unique chance of studying finely crafted clothing and accessories and if pressed I can roll a decent hand rolled edge myself. Rampley & Co’s products are as good as it gets where handwork is considered. The pocket squares I own so far are on the same level, or better than, pocket squares that usually retail for several times the price that Rampley & Co charge. The silk is finely woven and neither too thick to become bulky in ones pocket, nor is it..." click to read full review.
"I was elated when I received the most elegant and exquisite pocket square I had ordered from Rampley & Co! It is absolutely gorgeous. The color and clarity of the scene depicted, and the quality of this accessory are truly exceptional." Read more reviews...
"Very impressed by both the quality of the product and the customer service. The team fulfilled a last-minute request and got a beautiful pocket square to me via international shipping nearly instantaneously." Read more reviews...
"I'm a new customer but am extraordinarily impressed with the quality of Rampley's products (so far, two pocket squares) and their customer service. I had a question about ordering ties and they've been incredibly responsive and helpful." Read more reviews...
"I recently purchased a scarf for my wife´s Birthday and a pocket square for myself. We could not be more pleased. The items arrived promptly, beautifully presented and I received a surprise with my pocket square. I will certainly purchase more from Rampley & Co in the future." Read more reviews...
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Ludwig Deutsch, 1855-1935, The Palace Guard, 1892. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The guard in the present painting stands magisterially at the entrance...
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John Faed 1820-1902, Portrait of George Washington taking the Salute at Trenton, c.1899 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This silk pocket square features...
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Benjamin West, 1738- 1820, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ('The Death of the Stag’), c. 1786 100% Silk...
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Emanuel Leutze, 1816–1868, Washington Crossing the Delaware, 1851. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This pocket square features an iconic American painting by the...