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Pietro Perugino 1446-1523, Delivery of the Keys, 1481-1482.
This pocket square features The Delivery of the Keys, or Christ Giving the Keys to St. Peter, a fresco by the Italian Renaissance painter Pietro Perugino, completed between 1481–1482 and located in the Sistine Chapel, Rome.
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Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Perugino was one of the earliest Italian practitioners of oil painting. Some of his early works were extensive frescoes for the convent of the Ingessati fathers, destroyed during the Siege of Florence. He also produced many cartoons for them, which they executed with brilliant effect in stained glass. A good specimen of his early style in tempera is the tondo in the Musée du Louvre of the Virgin and Child Enthroned between Saints.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our pocket squares are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
Gustaf Cederström 1845-1933, Bringing Home the Body of King Karl XII of Sweden, c.1877-78. © Nationalmuseum, Stockholm 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This...
Peter Paul Rubens 1577 – 1640, The Fall of Phaeton, c.1604/5 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This pocket square features the ancient Greek...
The Death of Major Peirson, 6th January 1781, John Singleton Copley, 1783, © Tate, London 2014 On this pocket square we’ve used a large oil painting by American artist John Singleton Copley that depicts the death of...
Hans Makart 1840-1884, Valkyrie and a Dying Hero, c.1877-78. © Nationalmuseum, Stockholm 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm In Norse mythology, a valkyrie is one...