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Elizabeth Thompson 1846-1933, The 28th Regiment at Quatre Bras, 1875
The 28th Regiment at Quatre Bras is an oil painting on canvas, painted by Elizabeth Thompson (also known as Lady Butler). The painting portrays the 28th (North Gloucestershire) Regiment of Foot, of the British Army, on 16 June 1815, at the Battle of Quatre Bras. Occurring just two days prior to the Battle of Waterloo, the painting shows the regiment formed in a square in a field of rye, as it holds off attacks from French lancers and cuirassiers led by Marshal Ney.
Thompson went to great lengths to create models for her work and, in July 1874, arranged for 300 soldiers from the Royal Engineers to pose in a reconstruction of the square formation, firing their rifles to recreate the smoky scene she desired. Thompson observed horses at Sanger's Circus and the Horse Guards riding school, as models for the French cavalry. She also arranged for a field of rye in Henley-on-Thames to be trampled down by a group of children, in order to recreate the setting. The historic uniforms she had commissioned by a government manufacturer in London.
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Elizabeth Thompson, or Lady Butler, (1846-1933) was a well-known artist who produced many paintings portraying battles and military scenes. Unlike many other artists, she commented in 1922 that she did not use paint “for the glory of war, but to portray its pathos and heroism”.
As an artist, she initially focused on religious themes, but when she moved to Paris and was exposed to battles scenes, she shifted her focus to paintings based on war. She quickly became one of the leading artists in this area in Europe, and one of the few women who painted battle scenes.
Some of her most notable paintings such as The 28th Regiment at Quatre Bras, or Scotland Forever! portray battles from the Waterloo campaign and mainly show British soldiers, exhausted, fighting an enemy who is almost never represented in the scene. Even though her most famous work show battles and soldiers, she never actually observed a battle herself, but she watch her husbands’ regiment during training, and paid extremely close attention to the horses and they how the acted when charging. She also had copies of the soldier’s uniforms made in order to be able to paint them with as much detail as possible.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our pocket squares are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
"I was eyeing the Rampley pocket squares for quite a while and was thinking that the idea of turning classic art into pocket squares was quite brilliant and interesting.
When I finally had the chance to see the products in person I was blown away by the rich details in the prints. What you don't realise from the pictures is that the print is actually incredibly detailed even on the back of the square. This results in making it much easier to…" click to read full review.
"My line of work gives me a pretty unique chance of studying finely crafted clothing and accessories and if pressed, I can roll a decent hand rolled edge myself. Rampley & Co’s products are as good as it gets where handwork is considered. The pocket squares I own so far are on the same level, or better than, pocket squares that usually retail for several times the price that Rampley & Co charge. The silk is finely woven and neither too thick to become bulky in ones pocket, nor is it..." click to read full review.
"I was elated when I received the most elegant and exquisite pocket square I had ordered from Rampley & Co! It is absolutely gorgeous. The color and clarity of the scene depicted, and the quality of this accessory are truly exceptional." Read more reviews...
"Very impressed by both the quality of the product and the customer service. The team fulfilled a last-minute request and got a beautiful pocket square to me via international shipping nearly instantaneously." Read more reviews...
"I'm a new customer but am extraordinarily impressed with the quality of Rampley's products (so far, two pocket squares) and their customer service. I had a question about ordering ties and they've been incredibly responsive and helpful." Read more reviews...
"I recently purchased a scarf for my wife´s Birthday and a pocket square for myself. We could not be more pleased. The items arrived promptly, beautifully presented and I received a surprise with my pocket square. I will certainly purchase more from Rampley & Co in the future." Read more reviews...
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Ludwig Deutsch, 1855-1935, The Palace Guard, 1892. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The guard in the present painting stands magisterially at the entrance...
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Frederic Remington, 1861 – 1909, Aiding a Comrade, c.1889-1890. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm In another classic work from Frederic Remington, Aiding a Comrade...
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Frederic Remington 1861–1909, A Dash for the Timber, c.1889 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm Between 1885 and 1888 Fredric Remington made a number of...
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Albert Bierstadt, 1830 - 1902, The Last of the Buffalo, c.1888 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The Last of the Buffalo is Albert Bierstadt's...