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Théodore Géricault 1791–1834, The Charging Chasseur, c.1812
The Charging Chasseur, (or alternatively known as An Officer of the Imperial Horse Guards Charging) is an oil painting on canvas of about 1812 by the French painter Théodore Géricault, portraying a mounted Napoleonic cavalry officer who is ready to attack. The painting was Géricault's first exhibited work and it is an example of Géricault's attempt to condense both movement and structure in art. It represents French romanticism and has a motif similar to Jacques-Louis David's Napoleon Crossing the Alps, but non-classical characteristics of the picture include its dramatic diagonal arrangement and vigorous paint handling.
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Jean-Louis André Théodore Géricault, 1791 – 1824, was an influential French painter and lithographer, whose best-known painting is The Raft of the Medusa. Although he died young, he was one of the pioneers of the Romantic movement. Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century. Romanticism was characterised by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical.
Géricault's first major work, The Charging Chasseur, exhibited at the Paris Salon of 1812, revealed the influence of the style of Rubens and an interest in the depiction of contemporary subject matter. This youthful success, ambitious and monumental, was followed by a change in direction: for the next several years Géricault produced a series of small studies of horses and cavalrymen.
After a period in Europe, on his return to France in 1821, Géricault was inspired to paint a series of ten portraits of the insane, the patients of a friend, Dr. Étienne-Jean Georget, a pioneer in psychiatric medicine, with each subject exhibiting a different affliction. There are five remaining portraits from the series, including Insane Woman. The paintings are noteworthy for their bravura style, expressive realism, and for their documenting of the psychological discomfort of individuals, made all the more poignant by the history of insanity in Géricault's family, as well as the artist's own fragile mental health.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our silk linings are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
"I was eyeing the Rampley pocket squares for quite a while and was thinking that the idea of turning classic art into pocket squares was quite brilliant and interesting.
When I finally had the chance to see the products in person I was blown away by the rich details in the prints. What you don't realise from the pictures is that the print is actually incredibly detailed even on the back of the square. This results in making it much easier to…" click to read full review.
"My line of work gives me a pretty unique chance of studying finely crafted clothing and accessories and if pressed I can roll a decent hand rolled edge myself. Rampley & Co’s products are as good as it gets where handwork is considered. The pocket squares I own so far are on the same level, or better than, pocket squares that usually retail for several times the price that Rampley & Co charge. The silk is finely woven and neither too thick to become bulky in ones pocket, nor is it..." click to read full review.
"I was elated when I received the most elegant and exquisite pocket square I had ordered from Rampley & Co! It is absolutely gorgeous. The color and clarity of the scene depicted, and the quality of this accessory are truly exceptional." Read more reviews...
"Very impressed by both the quality of the product and the customer service. The team fulfilled a last-minute request and got a beautiful pocket square to me via international shipping nearly instantaneously." Read more reviews...
"I'm a new customer but am extraordinarily impressed with the quality of Rampley's products (so far, two pocket squares) and their customer service. I had a question about ordering ties and they've been incredibly responsive and helpful." Read more reviews...
"I recently purchased a scarf for my wife´s Birthday and a pocket square for myself. We could not be more pleased. The items arrived promptly, beautifully presented and I received a surprise with my pocket square. I will certainly purchase more from Rampley & Co in the future." Read more reviews...
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Ludwig Deutsch, 1855-1935, The Palace Guard, 1892. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The guard in the present painting stands magisterially at the entrance...
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John Faed 1820-1902, Portrait of George Washington taking the Salute at Trenton, c.1899 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This silk pocket square features...
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Benjamin West, 1738- 1820, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ('The Death of the Stag’), c. 1786 100% Silk...
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Emanuel Leutze, 1816–1868, Washington Crossing the Delaware, 1851. 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This pocket square features an iconic American painting by the...