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Peter Paul Rubens 1577 – 1640, The Abduction of Ganymede, 1611 – 1612
This is a stunning work by Rubens that works perfectly as a pocket square and a real star of our Rubens collection. It tells the story of the abduction of Ganymede, a shepherd and the son of Tros, a legendary king of Troy. According to Ovid, the god Jupiter was amazed by Ganymede's beauty and so, having transformed himself into an eagle, carried the youth off to Olympus where he made him his cup-bearer.
The striking colours of this image allow it to provide a subtle burst of colour in the pocket while complimenting both navy and grey jackets.
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Peter Paul Rubens (1577 - 1640) was a remarkable character, not only being a successful painter of European renown but he also played an important diplomatic role in 17th century European politics. In his painting he was a proponent of an extravagant Baroque style that emphasised movement, colour and sensuality and is well known for his Counter-Reformation altarpieces, portraits, landscapes and paintings of mythological subjects.
As a famous painter he was often commissioned by European royalty and when a 12 year truce between the Dutch and the Spanish broke down in 1621 Rubens was called to the courts of England and France as they decided who to ally themselves with. As painters had reason to travel to foreign courts, he was well placed to carry out secret negotiations without his presence arising suspicion. For his efforts the Archduchess Isabella made him ‘gentleman of the household’ in 1627. He then returned to being a prolific painter, producing over 80 paintings in the 1630's for King Phillip of Spain alone. See more information about the artist on his Wikipedia page Peter Paul Rubens.
Schwarzenberg Palace, Vienna - Palais Schwarzenberg is a Baroque palace in front of Schwarzenbergplatz, Landstraße, the 3rd district of Vienna, Austria. It is owned by the princely Schwarzenberg family.Construction started in 1697 under the architect Johann Lucas von Hildebrandt and finished with alterations in 1728 under Johann Bernhard Fischer von Erlach. Construction was supervised by master-builder Anton Erhard Martinelli and, in 1751, a riding school and an orangery were added. The richly decorated Marmorgalerie (marble gallery) is one of the largest features in the palace."
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
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Thomas Cole, 1801–1848, The Consummation of Empire, about 1833–1836 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The Course of Empire is a series of paintings...
Titian (Tiziano Vecellio) ca. 1485/90–1576, Venus and Adonis 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This pocket square features the stunning 'Venus and Adonis' by...
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Luca Giordano 1634–1705, The Fall of the Rebel Angels, c.1666 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm The Fall of the Rebel Angels is an...