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French (Fontainebleau) Painter (third quarter 16th century), The Nymph of Fontainebleau.
For this scarf we've taken details from a painting derived from an engraving which has been given variously to René Boyvin, Pierre Milan and, most recently, to both, jointly. Rosso Fiorentino is given credit for the engraving's design, which was used for a decoration on the south wall of the central section of the Galerie François I in the Palace of Fountainebleau. The subject of the oval framed at the center of the original is the origin of the name of Fontainebleau: a thirsty hunting dog named Bleau separated from its master and found in the forest a clear, pure spring; his master, "one of our kings," named the spring after him "la Fontaine de Bleau.
If you are not completely happy with your purchase for any reason, we will provide a full refund or exchange.
We use the finest quality silk for all of our scarves to ensure a lustrous finish. We use a 15OZ silk to ensure they're lightweight and it also provides the perfect base for colours to appear crisp and vibrant.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our silk scarves are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
Located in New York City, and colloquially known as 'the Met', the museum was founded in 1870 for the purposes of opening a museum to bring art and art education to the American people. It is the largest art museum in the United States and, with over 7 million visitors in 2016, was the second most visited art museum in the world, and the fifth most visited museum of any kind.
The permanent collection contains over two million works which is divided among seventeen curatorial departments. This consists of works of art from classical antiquity and ancient Egypt, paintings and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. It is also home to encyclopedic collections of musical instruments, costumes and accessories, as well as antique weapons and armor from around the world. There are also several notable interiors installed in the galleries, ranging from first-century Rome through to modern American design.
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