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Fifteenth Century Italian Ornament, Sydney Vacher, 1854 - 1935
This collection is inspired by the work of Sydney Vacher, an English architect of the late 19th century that created a book of patterns called ‘Fifteenth Century Italian Ornament’. The patterns within were inspired by the ‘brocades and stuffs found in pictures in the National Gallery, London’. Chiefly he chose patterns and details found within 15th-century Italian art and recreated these as repeat patterns for use with textiles, fabrics and print design. This particular repeat pattern is inspired by a detail on the dress of the Madonna in La Madonna della Rondine (The Madonna of the Swallow), painted in 1490 by Carlo Crivelli.
Here at Rampley & Co, we’ve taken the originals from within the book and increased the vibrancy and variety of the colours used to create the perfect blends for beautiful pocket squares that truly tell a story.
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Carlo Crivelli, 1430 - 1495, was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection.
Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile.
Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
The altarpiece represents the Virgin and Child enthroned with Saint Jerome and Saint Sebastian, but it is named after the swallow ('rondine' in Italian) perched above, which may be intended as a symbol of the Resurrection. It comes from San Francesco in Matelica and bears the arms of the Ottoni family. It was commissioned in March 1490 by Ranuzio Ottoni, Lord of Matelica, and Giorgio di Giacomo, guardian of the local Franciscan convent. Crivelli signed himself 'Miles' (Latin: knight), a title he received in 1490.
The National Gallery in central London was founded in 1824 and houses over 2,300 paintings dating from the mid-13th century to 1900. Situated in Trafalgar Square, it is an iconic building that is famous the world over. Its collection belongs to the government on behalf of the British public and is among the most visited art museums in the world.
The National Gallery Collection contains over 2,300 works, with all major traditions of Western European painting represented from the artists of late medieval and Renaissance Italy to the French Impressionists.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each pocket square its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk, wool/silk blend or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
"I was eyeing the Rampley pocket squares for quite a while and was thinking that the idea of turning classic art into pocket squares was quite brilliant and interesting.
When I finally had the chance to see the products in person I was blown away by the rich details in the prints. What you don't realise from the pictures is that the print is actually incredibly detailed even on the back of the square. This results in making it much easier to…" click to read full review.
"My line of work gives me a pretty unique chance of studying finely crafted clothing and accessories and if pressed I can roll a decent hand rolled edge myself. Rampley & Co’s products are as good as it gets where handwork is considered. The pocket squares I own so far are on the same level, or better than, pocket squares that usually retail for several times the price that Rampley & Co charge. The silk is finely woven and neither too thick to become bulky in ones pocket, nor is it..." click to read full review.
"I was elated when I received the most elegant and exquisite pocket square I had ordered from Rampley & Co! It is absolutely gorgeous. The color and clarity of the scene depicted, and the quality of this accessory are truly exceptional." Read more reviews...
"Very impressed by both the quality of the product and the customer service. The team fulfilled a last-minute request and got a beautiful pocket square to me via international shipping nearly instantaneously." Read more reviews...
"I'm a new customer but am extraordinarily impressed with the quality of Rampley's products (so far, two pocket squares) and their customer service. I had a question about ordering ties and they've been incredibly responsive and helpful." Read more reviews...
"I recently purchased a scarf for my wife´s Birthday and a pocket square for myself. We could not be more pleased. The items arrived promptly, beautifully presented and I received a surprise with my pocket square. I will certainly purchase more from Rampley & Co in the future." Read more reviews...
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Fifteenth Century Italian Ornament, Sydney Vacher, 1854 - 1935 70% Wool/30% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This collection is inspired by the work of...