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Fifteenth Century Italian Ornament, Sydney Vacher, 1854 - 1935
This collection is inspired by the work of Sydney Vacher, an English architect of the late 19th century that created a book of patterns called ‘Fifteenth Century Italian Ornament’. The patterns within were inspired by the ‘brocades and stuffs found in pictures in the National Gallery, London’. Chiefly he chose patterns and details found within 15th-century Italian art and recreated these as repeat patterns for use with textiles, fabrics and print design. This particular pattern is taken from the mantle of the Madonna in 'The Nativity', painted about 1524 by Girolamo Romanino.
Here at Rampley & Co, we’ve taken the originals from within the book and increased the vibrancy and variety of the colours used to create the perfect blends for beautiful silk linings.
Usage: Generally, we find tailors prefer to work with two panels of a single painting per jacket in order to line up the image along the back seam. For full details on how best to use our linings, click here: Linings FAQ.
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Girolamo Romani, 1485 - 1566, was the leading painter, with Moretto, of Brescia in the first half of the 16th century. His style differs from Moretto's in the heightened expressiveness of the figures and landscape. This is due to the impact of Dürer and German art.
Like Lotto, Romanino was active as a painter of frescoes and altarpieces - and occasional portraits - over a wide area of northern Italy, including Padua, Cremona and Trento. Brescia remained his chief place of residence and he became a municipal councillor there in 1559. His son-in-law was the painter Lattanzio Gambara, with whom he collaborated. The influence of Giorgione and Titian is apparent in Romanino's handling of paint, and in his treatment of subjects.
The details for this repeat panel are taken from The Nativity painted around 1524. This painting is one of the panels of the high altarpiece of the church of S. Alessandro, Brescia.
The National Gallery in central London was founded in 1824 and houses over 2,300 paintings dating from the mid-13th century to 1900. Situated in Trafalgar Square, it is an iconic building that is famous the world over. Its collection belongs to the government on behalf of the British public and is among the most visited art museums in the world.
The National Gallery Collection contains over 2,300 works, with all major traditions of Western European painting represented from the artists of late medieval and Renaissance Italy to the French Impressionists.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our silk linings are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
Elizabeth Thompson, 1846-1933, Scotland Forever!, c. 1881 100% Silk 128cm x 98cm Designed and Printed in Britain Scotland Forever! is an 1881 oil painting by Lady Butler (also known as...
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Emanuel Leutze, 1816–1868, Washington Crossing the Delaware, 1851. 100% Silk 118cm x 98cm Designed and Printed in Britain This lining features an iconic American painting by the artist Emanuel Leutze....
Albrecht Altdorfer 1480–1538, The Battle of Alexander at Issus, c.1529 100% Silk 118cm x 98cm Designed and Printed in Britain The Battle of Alexander at Issus is an oil painting...
Frederic Remington 1861–1909, A Dash for the Timber, c.1889 100% Silk 118cm x 98cm Designed and Printed in Britain Between 1885 and 1888 Fredric Remington made a number of trips to...