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Details from the Palazzo Farnese in Rome, Italy.
This pocket square takes inspiration from the frescoes of the Palazzo Farnese in Rome. The main image is of the Triumph of Bacchus and Ariadne by Annibale Carracci. It depicts both a riotous and classically restrained procession taking Bacchus and Ariadne to their lovers' bed. The procession recalls the triumphs of the Republican and Imperial Roman era, in which the parades of victorious leaders had the laurel-crowned ‘imperator’ in a white chariot with two white horses.
In Carracci's procession, the two lovers are seated in chariots drawn by tigers and goats, and accompanied by a parade of nymphs, bacchanti, and trumpeting satyrs.
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The Loves of the Gods is a monumental fresco by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome. The frescoes were greatly admired at the time, and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.
In addition to the putti shown at the four corners, The Loves of the Gods are depicted on the vault in thirteen narrative scenes. Complementing them, there are twelve medallions painted to appear as bronze reliefs. These medallions portray additional stories of love, abduction, and tragedy.
Macclesfield was once the centre of the English silk weaving industry and the world's biggest producer of finished silk. The area has been printing silk for over 300 years and at one point had over seventy mills operating in the town. The town is close to a water supply that passes through limestone, and when used in washing and dyeing it gives silk a uniquely attractive lustre.
Our pocket squares are printed at a mill that has been producing printed fabric on the same site for the past fifty years and the process uses water sourced from its own reservoir.
The art of hand rolling pocket squares is a unique craft and truly makes each piece individual and unique. We feel that the precision and care taken by our skilled artisans gives each scarf its own unique character, finish and feel. To create the finest rolled hems, the edge of the silk or cotton pocket square must be softy turned over with a handheld needle and then small stitches are inserted approximately one half to one centimetre apart around the edge, creating a supple yet prominent border.
It’s absolutely the best way to finish a pocket square for a variety of reasons but the key ones are for both visual effect and structure. Rolling by hand is the only way to get a really nice clean plump finish on the edge and this gives a really nice depth to the edges. It’s a more expensive process than machine rolling but by using a machine you’re often left with a flat edge and you don’t get the same luxurious feel. On top of this, the rolled edges add a lot more structure to your pocket square.
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Fab Gorjian, 2019, 'Faster!', Acrylic on Board 70% Wool/30% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm from the artist: "In the gentleman's motor, the pair race...
Sold Out - £125.00 GBP
Peter Paul Rubens 1577 – 1640, Saint George and the Dragon, c.1605/07 100% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This Limited Edition pocket square has...
Fifteenth Century Italian Ornament, Sydney Vacher, 1854 - 1935 70% Wool/30% Silk Hand Rolled Designed and Printed in Britain 42cm x 42cm This collection is inspired by the work of...